CURRENT MOON

Monday, October 23, 2017

Red Planetary Skywalker/ Red Magnetic Serpent - Self-Existing Owl Moon of Form, Day 6






Image result for Marie Smith Jones images
Marie Smith Jones



Marie Smith Jones (May 14, 1918 – January 21, 2008) was the last surviving speaker of the Eyak language of Southcentral Alaska. She was born in Cordova, Alaska, was an honorary chief of the Eyak Nation and the last remaining full-blooded Eyak. In a 2005 interview, Smith Jones explained that her name in Eyak is udAch' k'uqAXA'a'ch which, she said, translates as "a sound that calls people from afar".

Biography

Jones married a fisherman, William F. Smith, on May 5, 1948. Although she had nine children with Smith, they did not learn to speak Eyak due to the social stigma associated with it at the time. She moved to Anchorage in the 1970s. So that a record of the Eyak language would survive, she worked with linguist Michael E. Krauss, who compiled a dictionary and grammar of it. Her last older sibling died in the 1990s. Afterwards, Jones became politically active, and on two occasions she spoke at the United Nations on the issues of peace and indigenous languages. She was also active regarding environmental Indian issues, including clear cutting. Jones suffered from alcoholism earlier in her life, but gave up drinking while in her early 50s; she remained a heavy smoker until her death. She died of natural causes on January 21, 2008 at age 89 at her home in Anchorage.*






BEN



Kin 153: Red Planetary Skywalker


I perfect in order to explore
Producing wakefulness
I seal the output of space
With the planetary tone of manifestation
I am guided by the power of birth
I am a galactic activation portal
Enter me.


The six mental spheres of consciousness are etherically congruent with the brain, and serve as the computer or hardware of the mind.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.








The Sacred Tzolk'in 





Manipura Chakra (Limi Plasma)




Sunday, October 22, 2017

Yellow Solar Human/ Yellow Cosmic Seed - Self-Existing Owl Moon of Form, Day 5





Diane Humetewa.jpg
Diane Humetewa



Diane Joyce Humetewa (/ˌhuːməˈteɪwə/ HOO-mə-TAY-wə; born December 5, 1964) is a United States District Judge of the United States District Court for the District of Arizona and was the United States Attorney for the District of Arizona, serving in that position from December 2007 to August 2009. Confirmed in 2014 as the first Native American woman and enrolled tribal member to serve as a federal judge, Humetewa is one of three Native Americans in history to serve in this position. Humetewa is also a Professor of Practice at Arizona State University's Sandra Day O'Connor College of Law. Humetewa has served as counsel to the Senate Committee on Indian Affairs and to the Deputy Attorney General for the United States Department of Justice, as a member of the United States Sentencing Guideline Commission, Native American Advisory Committee, and as an Appellate Court Judge for the Hopi Tribe, of which she is an enrolled member.

Biography

An enrolled member of the Hopi tribe, Humetewa received her Juris Doctor in 1993 from the Sandra Day O'Connor College of Law at Arizona State University. Beginning in 1996, she served as the Tribal Liaison in the office of the United States Attorney for Arizona. From 2001 to 2007, she served there as Senior Litigation Counsel. In January 2007 Humetewa was recommended as a United States attorney by both of Arizona's senators, John McCain and Jon Kyl, nominated by President George W. Bush in November, and was confirmed by the United States Senate and sworn in as the United States Attorney for the District of Arizona on December 17, 2007. The investiture for Humetewa was held on February 6, 2008 at the Sandra Day O'Connor Courthouse in Phoenix. She is the first Native American woman to serve as a United States Attorney.

Humetewa was the permanent successor to Paul K. Charlton, whose dismissal on December 7, 2006 was a prominent aspect of the dismissal of U.S. attorneys controversy in the Bush administration in early 2007. Daniel G. Knauss served as interim United States Attorney for one year after Charlton's dismissal. During that period, Knauss and Humetewa continued to pursue the criminal investigation of Congressman Rick Renzi (R-AZ), begun by Charlton in September 2006. Renzi was indicted by the United States Attorney's office on February 22, 2008.

A graduate of the Indian Legal Program at the ASU college of law, Humetewa is considered a national expert on Native American legal issues; she has instructed law enforcement and prosecutors on this topic. From 2002 to 2007, she served as a judge pro tem on the Hopi Tribal Appellate Court, and as an ad hoc member of the Native American Subcommittee of the United States Sentencing Commission. Humetewa resigned effective August 2, 2009 when President Barack Obama nominated Dennis K. Burke as the next United States Attorney for the District of Arizona. She was appointed in 2011 as ASU’s Special Advisor to the university president for American Indian Affairs and Special Counsel in the Office of General Counsel at ASU.

Federal judicial service

On September 19, 2013, President Obama nominated Humetewa to serve as a United States District Judge of the United States District Court for the District of Arizona, to the seat vacated by Judge Mary H. Murguia, who was elevated to the United States Court of Appeals for the Ninth Circuit on January 4, 2011. Humetewa was one of four Arizona judicial nominees announced by Obama that day who were chosen in consultation with Republican senators John McCain and Jeff Flake. On February 27, 2014 her nomination was reported out of the Senate Judiciary committee. On May 12, 2014 Senate Majority Leader Harry Reid filed for cloture on the nomination. On Wednesday May 14, 2014 the Senate voted on the motion to invoke cloture by a vote of 64-34. Later that day the Senate voted 96-0 for final confirmation. She received her judicial commission on May 16, 2014.

2016 United States Supreme Court vacancy

Following the death of Justice Antonin Scalia in February 2016, Humetewa was mentioned as a possible consensus nominee for a vacancy on the United States Supreme Court, considered able to make it through the Republican-controlled Senate.

Personal life


Humetewa is an enrolled member of the Hopi Nation. She is the daughter of Donald A. and Ella Mary Humetewa. She is married to Miguel Juarez.*

*https://en.wikipedia.org/wiki/Diane_Humetewa




EB



Kin 152: Yellow Solar Human

I pulse in order to influence
Realizing wisdom
I seal the process of free will
With the solar tone of intention
I am guided by the power of elegance
I am a galactic  activation portal
Enter me.


I order to evolve you must learn something new.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.







The Sacred Tzolk'in 





Visshudha Chakra (Alpha Plasma)




Saturday, October 21, 2017

Blue Galactic Monkey/ Blue Crystal Night - Self-Existing Owl Moon of Form, Day 4






Image result for Allison Hedge Coke images
Alison Hedge Coke, Photo courtesy of Wang Ping


Allison Adelle Hedge Coke is an American poet and editor. Her debut book, Dog Road Woman, won the American Book Award and was the first finalist of the Paterson Poetry Prize and Diane DeCora Award. Since then, she has written five more books and edited eight anthologies.

Career

Hedge Coke held a National Endowment for the Humanities Distinguished Visiting Professor/Writer appointment for Hartwick College (2004), is an original and emeritus fellow of the Black Earth Institute Think-Tank, a MacDowell Colony for the Arts Fellow, a Hawthorden Castle Fellow, a Soul Mountain Fellow, a Weymouth Center for the Arts and Humanities Fellow, a Lannan Foundation residency fellow, a current University of Nebraska–Lincoln Center for Great Plains Study Fellow {flagship campus}, served as the Distinguished Paul W. Reynolds and Clarice Kingston Reynolds Endowed Chair in English, and as an Associate Professor of Poetry & Creative Writing in the English Department of the University of Nebraska at Kearney (2007–2012) and University of Nebraska low-residency MFA program (2007-current), Visiting Artist of the University of Central Oklahoma (2012–2014), and as a Distinguished Writer in Residence at the University of Hawaii at Manoa (2014).  She has also served as a Visiting Writer for the University of California Riverside (2014) and University of California Riverside–Palm Desert (2008), and taught for Northern Michigan University, the University of Arkansas, Lenore-Rhyne, Kilian College, and the University of Sioux Falls. Hedge Coke is a Founding Faculty of the full residency Vermont College of Fine Arts MFA program in Writing and Publishing (2015–), teaches for [Oklahoma City University's Red Earth MFA (2016–), and is visiting faculty for the Summer Writing Program at Naropa University. She has directed the annual Literary Sandhill Crane Retreat, in conjunction with her studies in migration patterning influence on flyway communities, since 2007. Hedge Coke is a distinguished professor of creative writing at the University of California, Riverside.

Poetry

Hedge Coke's work Blood Run a collection of sixty-six poems, was inspired by the traditions of the Native American Mound Builders and their earthworks. The poems show a mathematical patterning based on the numbers four, three and seven and on the sequence of the first 24 primes.

Discography

Streaming, Long Person Records, with trio project Rd Klā (album).

Bibliography

Streaming, Coffee House Press (poems) Split This Rock Teaching for Change Best Books of 2014 ISBN 978-1-56689-375-6
Winner: Wordcrafter of the Year Award Winner: 2015 IPPY Award – Bronze Medal (Independent Publisher Book Awards) Finalist: 2015 Eric Hoffer da Vinci Eye Award for superior cover art. Finalist: 2015 Eric Hoffer Montaigne Medal for most thought-provoking book.Finalist: 2015 2015 Eric Hoffer Award. Longlist: 2015 PEN/Open Book Award 2014 Split This Rock Notable Book 2014 Teaching for Change Notable Book .

"Effigies II: An Anthology of New Indigenous Writing." Editor, Salt Publishing. 2014 Native America Calling Book of the Month
Rock, Ghost, Willow, Deer, University of Nebraska Press (memoir, paperback edition), ISBN 978-0-8032-4846-5 Native America Calling Book of the Month.
"Sing: Poetry of the Indigenous Americas", Editor, University of Arizona Press. 2011.
"Effigies: An Anthology of New Indigenous Writing", Pacific Rim, Editor, Salt Publishing. 2009.
"also, acquisition editor: Bone Light" by Orlando White, Red Hen Press. 2009.
Ahani: Indigenous American Poetry", Editor, Oregon State University.
Blood Run", Salt Publishing (poems (free verse play poems)) ISBN 1844712664 Wordcraft Circle Writer of the Year Award. Native America Calling Book of the Month.
Off-Season City Pipe, Coffee House Press (poems) ISBN 978-1-56689-171-4
Wordcraft Circle Writer of the Year Award, New York Book Festival Mention [Poetry] Native America Calling Book of the Month.

From the Fields, Editor, California Poets in the Schools Press.
Rock, Ghost, Willow, Deer, University of Nebraska Press (memoir) ISBN 978-0-8032-1527-6 Native America Calling Book of the Month.
AIROS Book-of-the-Month, Booklist ALA Starred.

They Wanted Children, Editor, Sioux Falls School District Press. Sioux Falls School District (South Dakota)
Coming to Life, Editor, Sioux Falls School District Press. Sioux Falls School District (South Dakota), Poems of Peace After 9-11.

Dog Road Woman : PoemsISBN 978-1-56689-061-8 American Book Award, First Finalist Paterson Poetry Prize and Diane Decorah Award [Poetry], Coffee House Press.
Year Of The Rat, (Chapbook) Grimes Press.
It's Not Quiet Anymore: New Work from the Institute of American Indian Arts, Co-Senior Editor with Heather Ahtone, Institute of American Indian Arts Press.
Voices of Thunder: New Work from the Institute of American Indian Arts, Co-Editor with Heather Ahtone, Institute of American Indian Arts Press.
Books edited or co-edited

Edited Books

"Effigies II: An Anthology of New Indigenous Writing." Editor, Salt Publishing. 2014
"Sing: Poetry of the Indigenous Americas", Editor, University of Arizona Press. 2011.
"Effigies: An Anthology of New Indigenous Writing", Pacific Rim, Editor, Salt Publishing. 2009.
"Bone Light" by Orlando White, series editor, Red Hen Press. 2009.
From the Fields, Editor, California Poets in the Schools Press.
Ahani: Indigenous American Poetry", Editor, Oregon State University. Oregon State University.
They Wanted Children, Editor, Sioux Falls School District Press. Sioux Falls School District (South Dakota) Sioux Falls School District (South Dakota) Poems and stories of coping. The Lost Boys from Sudan, American Indian students, Immigrant...
Coming to Life, Editor, Sioux Falls School District Press. Sioux Falls School District (South Dakota). Sioux Falls School District (South Dakota) Poems of Peace After 9-11.
It's Not Quiet Anymore: New Work from the Institute of American Indian Arts, Co-Senior Editor with Heather Ahtone, Institute of American Indian Arts Press. Institute of American Indian Arts Press.
Voices of Thunder: New Work from the Institute of American Indian Arts, Co-Editor with Heather Ahtone, Institute of American Indian Arts Press.*"Institute of American Indian Arts Press.

Awards

Whitter Bynner Fellowship, Library of Congress Appointed by the US Poet Laureate, Juan Felipe Herrera, 2016.
Four Pushcart Prize nominations in 2009 for work published in 2008.
Fellow University of Nebraska-Lincoln Center for Great Plains Study. 2008-current.
South Dakota Arts Council Collaborative Grant in 2008-9.
Paul Hanly Furfey Lecture. An Endowed Lecture. Association of Sociology in Religion. Boston, MA. 2008.
Journal of the Year Editor in 2006–2007 Wordcraft Circle of Native Writers and Storytellers To Topos International Journal of Poetry Ahani: Indigenous American Poetry Oregon State University. 2008.
King Chavez Parks Teaching Award Northern Michigan University. 2005.
Book-of-the-Month, Native America Calling AIROS Native Radio Network, Rock, Ghost, Willow, Deer. August 2004.
South Dakota Arts Council Artist Fellowship 2002.
Excellence in Teaching AwardsSioux Falls Area Community Foundation. 2002 and 2004.
South Dakota Arts Council Individual Artist Project Grants/Fellowships 1999, 2002.
Dog Road Woman Winner 1998 American Book Award Before Columbus Foundation, finalist, 1998 Paterson Prize, finalist, Native Writers' Circle of the Americas First Book Award in Poetry.
South Dakota Arts Council Artist in Residence 1998-current.
Abiko Quarterly Editor's Choice Award. Cid Corman, Editor. 1995.*



CHUEN



Kin 151: Blue Galactic Monkey


I harmonize in order to play
Modeling illusion
I seal the process of magic
With the galactic tone of integrity
I am guided by the power of vision
I am a galactic activation portal
Enter me.


The creation is what experiences history; the Absolute does not experience history.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.








The Sacred Tzolk'in 




Svadhistana Chakra (Kali Plasma)





Friday, October 20, 2017

White Resonant Dog/ White Spectral Wind - Self-Existing Owl Moon of Form, Day 3





George B. Campion, The Battle of Sainte-Foy.




Glory of the Morning (died c. 1832) was the first woman ever described in the written history of Wisconsin, and the only known female chief of the Hocąk (Winnebago) nation. At least one source has rendered her name as Hopokoekau, which is a corruption of Hąboguwįga, from hąp, "day"; ho-, "the time at which"; gu, "to come arriving"; -wį, an affix indicating the feminine gender; and -ga, a definite article used for personal names. The name is conventionally translated as, "Glory of the Morning" or "The Coming Dawn".

She was the daughter of the chief of the tribe, and therefore a member of the Thunderbird Clan who lived in a large village on Doty Island in what is now Menasha, Winnebago County, Wisconsin. Sometime before 1730, the French—in connection with their development of the vast territory of Louisiana-- renewed contact with the tribe. A small force of French troops under the command of Sabrevoir de Carrie visited the Hocągara and established cordial relations. The opportunities of this contact impressed themselves upon Carrie, who resigned his commission to become a fur trader among the tribe. It was around this time that he married Glory of the Morning. It cannot be established whether she was made chief before or after this marriage. Her marriage seems to have enhanced her status, as Carrie is remembered very favorably in the Hocąk oral tradition, which says, "in his affairs he was most emphatically a leader of men." Glory of the Morning bore him two sons and a daughter.

The eldest son was Cugiga, "Spoon, Ladle", known to history as "Spoon Dekaury". The younger son was known as Cap’osgaga, "White Breast", also called "Buzzard Decorah". In time the marriage dissolved, and Sabrevoir de Carrie returned to his residence in Quebec, taking his little daughter with him. When she grew up, she married Laurent Fily, an Indian trader in Quebec. When the French and Indian War broke out, Carrie received a new commission in the French army, and on April 28, 1760, during the Battle of Sainte-Foy he was mortally wounded and later died in the hospital in Montreal.

As the French struggled with the Fox people over the fur trade, Glory of the Morning firmly allied herself with her husband's people, precipitating seven years of war with their neighbors. In the end, she was instrumental in bringing peace. Later she allowed renewed warfare against the Illini, her braves falling upon the Michigamea and the Cahokia. When war between France and Great Britain broke out in 1754, the Hocak warriors attacked the English settlements far to the east. However, when the British overcame the French, Glory of the Morning established friendly relations with them and refused to tread the war path of Pontiac. Three years later Capt. Jonathan Carver, a Connecticut Yankee in the service of the Crown, paid a visit to her village in 1766, and he gives an interesting account of her:

On the 25th [of September] I left the Green Bay, and proceeded up Fox River, still in company with the traders and some Indians. On the 25th I arrived at the great town of the Winnebagoes, situated on a small island just as you enter the east end of Lake Winnebago. Here the queen who presided over this tribe instead of a Sachem, received me with great civility, and entertained me in a very distinguished manner, during the four days I continued with her.

The day after my arrival I held a council with the chiefs, of whom I asked permission to pass through their country, in my way to more remote nations on business of importance. This was readily granted me, the request being esteemed by them as a great compliment paid to their tribe. The Queen sat in  the council, but only asked a few questions, or gave some trifling directions in matters relative to the state; for women are never allowed to sit in their councils, except they happen to be invested with the supreme authority, and then it is not customary for them to make any formal speeches as the chiefs do. She was a very ancient woman, small in stature, and not much distinguished by her dress from several young women that attended her. These her attendants seemed greatly pleased whenever I showed any tokens of respect to their queen, particularly when I saluted her, which I frequently did to acquire her favour. On these occasions the good old lady endeavoured to assume a juvenile gaiety, and by her smiles showed she was equally pleased with the attention I paid her. ...

Having made some acceptable presents to the good old queen, and received her blessing, I left the town of the Winnebagoes on the 29th of September ...

Nothing more is heard of her until the Kinzies visited her in 1832. She had lived to an unheard of age. Mrs. Kinzie paints a portrait of her:

There was among their number, this year, one whom I had never before seen—the mother of the elder Day-kau-ray. No one could tell her age, but all agreed that she must have seen upwards of a hundred winters. Her eyes dimmed, and almost white with age—her face dark and withered, like a baked apple—her voice tremulous and feeble, except when raised in fury to reprove her graceless grandsons, who were fond of playing her all sorts of mischievous tricks, indicated the very great age she must have attained. She usually went upon all fours, not having strength to hold herself erect. On the day of the payment, having received her portion, which she carefully hid in the corner of her blanket, she came crawling along and seated herself on the door step, to count her treasure.... In spite of their vexatious tricks, she seemed very fond of them, and never failed to beg something of her Father, that she might bestow upon them. She crept into the parlor one morning, then straightening herself up, and supporting herself by the frame of the door, she cried in a most piteous tone,—“Shaw-nee-aw-kee Wau-tshob-ee-rah Thsoonsh-koo-nee-noh!” [Žuniya-ąké ho(kik)čąbira čųšgunįno] (Silver-man I have no looking glass.) My husband smiling and taking up the same little tone, cried, in return,— “Do you wish to look at yourself mother?” The idea seemed to her so irresistibly comic that she laughed until she was fairly obliged to seat herself upon the floor and give way to her enjoyment. She then owned that it was for one of the boys that she wanted the little mirror. When her Father had given it to her, she found that she had “no comb,” then that she had “no knife,” then that she had “no calico shawl,” until it ended, as it generally did, by Shaw-nee-aw-kee paying pretty dearly for his joke.

She must have died soon afterwards. Hocąk lore has filled in the details. The tradition says that when she was out among the pines, an owl, a creature of ill omen, perched nearby and uttered her name. That night, wrapped in her furs with a smile on her face, she died. Strangely, during the raging blizzard that engulfed the village that night, the rare sound of thunder could be heard, as the patron deities of her clan called her home.

Her offspring flourished as the famed Decorah family, who supplied countless chiefs to the nation. Her grandson was Chief Waukon Decorah, the eponym of two cities in Iowa, Waukon and Decorah.*

*https://en.wikipedia.org/wiki/Glory_of_the_Morning



OC



Kin 150: White Resonant Dog



I channel in order to love
Inspiring loyalty
I seal the process of heart
With the resonant tone of attunement
I am guided by the power of spirit
I am a galactic activation portal 
Enter me.


The chakra centers are the place where the phenomenal and the imaginal realms (the senses and the prana) join.*


*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.





The Sacred Tzolk'in 




Ajna Chakra  (Gamma Plasma)




Thursday, October 19, 2017

Red Rhythmic Moon/ Red Planetary Dragon - Self-Existing Owl Moon of Form, Day 2






Angel De Cora
Angel De Cora




Angel De Cora Dietz (1871–1919) was a Winnebago painter, illustrator, Native American rights advocate, and teacher at Carlisle Indian School. She was the best known Native American artist before World War I.

Background

Angel De Cora Dietz or Hinook-Mahiwi-Kalinaka (Fleecy Cloud Floating in Place), was born at the Winnebago Agency in Dakota County (now Thurston), Nebraska, on May 3, the daughter of David Tall Decora, a Ho-Chunk (Winnebago) of French ancestry and a son of the Little Decorah, a hereditary chief. Angel was born into the Thunderbird clan; her English and Ho-Chunk names were chosen by a relative who was asked to name her, opened the Bible, and the word "angel" caught her eye. Her mother was a member of the influential LaMere family. She was kidnapped at a young age from the Agency, and sent to school in Hampton, Virginia. "A strange white man appeared on the reservation and asked her, through an interpreter, if she would like to ride on a steam car; with six other children, she decided to try it, and when the ride was ended she found herself in Hampton. '(It was) three years later when I returned to my mother' says Angel De Cora. 'she told me that for months she wept and mourned for me. My father and the old chief and his wife had died, and with them the old Indian life was gone.'"

As granddaughter to the chief of the Winnebago tribe, Hinook existed in a position of influence since “among most plains people, power and cultural knowledge were accumulated by and dispensed through females”. Although Hinook’s mother was French in origin, Hinook would be expected to follow in her grandmothers footsteps in passing along cultural traditions. “During the summers we lived on the Reservation, my mother cultivating her garden and my father playing the chief's son. During the winter we used to follow the chase away off the Reservation, along rivers and forests. My father provided not only for his family then, but his father's also. We were always moving camp. As a child, my life was ideal. In all my childhood I never received a cross word from any one, but nevertheless, my training was incessant. About as early as I can remember, I was lulled to sleep night after night by my father's or grandparent's recital of laws and customs that had regulated the daily life of my grandsires for generations and generations, and in the morning I was awakened by the same counselling. Under the influence of such precepts and customs, I acquired the general bearing of a well-counselled Indian child, rather reserved, respectful, and mild in manner.”

Education

Taken from her family and placed into the Hampton Normal and Agricultural Institute, Hinook/de Cora was to accomplish the U.S. federal government’s vision of “educating Indian girls in the hope that women trained as good housewives would help their mates assimilate” into U.S. mainstream culture. De Cora studied at a local preparatory school in Hampton, Virginia, working for a local family. Afterwards De Cora was educated at Burnham Classical School for Girls. She then studied art at Smith College. She studied specifically illustration at Drexel Institute (now Drexel University) and also studied at the Cowles Art School in Boston.

Personal

De Cora was married to William Henry “Lone Star” Dietz (Wicarhpi Isnala), who claimed Dakota and German descent but his true identity remains highly controversial. Dietz also taught at the Carlisle Indian School. He and De Cora met at the St. Louis World's Fair in 1904. In addition to his art, Dietz was a notable football player, and in 1915 he became head coach of Washington State; he later was the first head coach of the Washington Redskins.

Artwork

Towards the end of her career, De Cora and her husband taught art at the Carlisle Indian Industrial School in Carlisle, Pennsylvania. In her tonalist art work, Angel De Cora painted firelight to illuminate warm memories of her childhood life on the Nebraska plains after she settled far from home in the east”. Her oil Painting, "for an Indian school exhibit, for the Pan-American Exposition in Buffalo, New York" demonstrates the technical prowess and emotional depth of her art.

De Cora created the title-page designs for Natalie Curtis's The Indians' Book, a collection of Native American songs, stories, and artwork first published in 1907.

Unfortunately, few of De Cora's original paintings remain, but she illustrated her own stories published in Harper's Magazine and illustrated books. The 1911 Yellow Star: A Story of East West, by Elaine Goodale Eastman features illustrations by De Cora and her husband, William Henry Dietz. Her illustrations are rare for her time period because she portrayed Native Americans wearing contemporary clothing.

Death

Angel De Cora contracted pneumonia, and she died in the Cooley Dickinson Hospital in Northampton, Massachusetts on 6 February 1919. She is buried at the Bridge Street Cemetery.*






MULUC



Kin 149: Red Rhythmic Moon


I organize in order to purify
Balancing flow
I seal the process of universal water
With the rhythmic tone of equality
I am guided by my own power doubled
I am a galactic activation portal
Enter me.


With the rise of cosmic intelligence, self-reflective attention is paid to the phenomenal truth of the vibrational (sound) frequency.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.






The Sacred Tzolk'in 




Muladhara Chakra (Seli Plasma)





Wednesday, October 18, 2017

Yellow Overtone Star/ Yellow Solar Sun - Self-Existing Owl Moon of Form, Day 1





Rosella Hightower



Rosella Hightower (January 10, 1920 – November 4, 2008) was an American ballerina who achieved fame in both the United States and Europe.

Biography

Rosella Hightower was born in Durwood, Carter County, Oklahoma, the only child of Charles Edgar Hightower and his wife, the former Eula May Fanning. Of Choctaw heritage, she moved with her family to Kansas City, Missouri after her father took a new position with the Missouri-Kansas-Texas Railroad. Hightower began her dance training in Kansas City under the instruction of Dorothy Perkins.

After a 1937 appearance by Russian choreographer and ballet dancer Léonide Massine in Kansas City with Wassily de Basil's Ballets Russes, Massine invited Hightower to join a new ballet company he was forming in Monte Carlo. Hightower traveled to France at her own expense and discovered that she had been invited for further auditions and had been given no commitment of employment by the group. She was ultimately accepted into the Ballet Russe de Monte Carlo where she was guided by Massine who recognized her hard work and ability to learn quickly. There she met André Eglevsky, her future partner at various dance companies. After the outbreak of World War II, Hightower followed the Ballet Russe to New York City, where she joined the Ballet Theater in 1941.

She joined the de Basil Ballet in 1946, which was performing under the name Original Ballet Russe. Hightower received acclaim from John Martin of The New York Times after a March 1947 performance of Giselle by the Original Ballet Russe at the Metropolitan Opera House. After Alicia Markova, who had been scheduled to dance the title role, became sick, Hightower was called in as her replacement, and learned the part she had never danced before in some five hours of rehearsal with dancer/choreographer Anton Dolin. Martin's review stated that the "Original Ballet Russe had planned no novelty for the opening of its season... but there was a major one on its program nevertheless. This was the unscheduled first appearance of Rosella Hightower in the title role of Giselle", calling it "a thoroughly admirable achievement, which brought an ovation from the audience". Three days later, Martin's review of Swan Lake called Hightower "the newest star on the ballet horizon" after her two performances with Dolin and then André Eglevsky as her partner.

In 1947, she accepted an invitation from the Marquis George de Cuevas to join a new ballet company, which was variously called the Grand Ballet de Monte Carlo or the Grand Ballet du Marquis de Cuevas, but was most commonly called the de Cuevas Ballet by theatergoers. The presence there of choreographer Bronislava Nijinska was one of the major factors in Hightower's decision. Nijinska choreographed for Hightower the "glitteringly virtuosic" Rondo Capriccioso. In addition to classic dances, Hightower's performances included Piège de Lumière by John Taras, the troupe's choreographer and balletmaster, in which she danced the role of a butterfly in a tropical forest who enchants a group of escaped convicts.

The company disbanded after the 1961 death of de Cuevas, and Hightower largely retired from the stage, though she gave a series of performances in 1962 with Sonia Arova, Erik Bruhn and Rudolf Nureyev. She opened the École supérieure de danse de Cannes in 1962 near her home in Cannes, which became one of Europe's leading ballet schools. Hightower later directed several major companies, including the Marseilles Ballet from 1969–72, the Ballet of the Grand Théâtre of Nancy in 1973–74, the Paris Opéra Ballet from 1980 to 1983 and the La Scala Ballet of Milan in 1985–86. She is honored in Tulsa, Oklahoma, along with four other Native American ballerinas (Yvonne Chouteau, Moscelyne Larkin, Maria Tallchief and Marjorie Tallchief), with a larger than life-size bronze statue, The Five Moons in the garden of the Tulsa Historical Society.

Death/family

She was found dead in her home in Cannes, France on November 4, 2008, aged 88, having died either earlier that morning or late the previous night. She had suffered a series of strokes. Hightower was briefly married to dancer Mischa Resnikov in 1938. She married Jean Robier, a French artist and designer, in 1952; They had one daughter, dancer Dominique Monet Robier (b. 1955).*





LAMAT



Kin 148: Yellow Overtone Star


I empower in order to beautify
Commanding art
I seal the store of elegance
With the overtone tone of radiance
I am guided by the power of intelligence
I am a galactic activation portal
Enter me.



Parallel universes are entered through imaginal doorways.*


*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.







The Sacred Tzolk'in




Sahasrara Chakra (Dali Plasma)
















Tuesday, October 17, 2017

Blue Self-Existing Hand/ Blue Galactic Storm - Electric Deer Moon of Service, Day 28






Alice davis brown.jpg
Alice Brown Davis



Alice Brown Davis (September 10, 1852 – June 21, 1935) was the first female Principal Chief of the Seminole Tribe of Oklahoma, and served from 1922–1935, appointed by President Warren G. Harding. She was of Seminole (Tiger Clan) and Scots descent. Her older brother John Frippo Brown had served as chief of the tribe and their brother Andrew Jackson Brown as treasurer.

Early life and education

Alice Brown was born on September 10, 1852 in the Cherokee town of Park Hill, Indian Territory and grew up near Fort Gibson. Her father, Dr. John Frippo Brown, was from Scotland and a graduate of the University of Edinburgh. He accompanied the Seminole as a military surgeon during their forced removal from Florida. During this journey, he married Lucy Redbeard, a Seminole from Katcvlke or the Tiger Clan. As the Seminole had a matrilineal system, the children of a marriage belonged to the mother's clan. Her parents had a total of seven children.

Her older brothers John F. and Andrew Jackson Brown each started to serve the tribe by the time of the American Civil War. Four members of her mother's family developed as significant Seminole leaders from 1832 to 1935. Like her brothers, Alice Brown was well educated. One of her influential teachers was Caroline Bushyhead, a Cherokee. She learned both English and Mikasuki as first languages, and also attended the Ramsay Mission School, started by the Episcopal Church and then operated by Baptist missionaries.

During 1867, when Alice was 15 years old, a cholera epidemic broke out among the Seminole tribe, and she assisted her father in caring for the sick. After the epidemic, both her parents died, and she went to live with her oldest brother John at his ranch at Wewoka, the capital of the Seminole Nation. After completing her studies, Brown taught, most likely at Mesukey Academy for Boys in Sasakwa. Both there and likely at the girls' school Emakwha Academy, Brown Davis likely taught children of freedmen along with the Seminole, for the missionaries integrated the schools in 1874.

Marriage and family

In 1874 at the age of 22, Brown married George Rollin Davis, a European-American merchant from Kansas. They moved to Arbeka, Indian Territory on Seminole Nation lands. They operated a trading post, post office, general store and the Bar X Bar ranch together until George's death. They were entrusted with the duties of disbursing the local Indians' headright money and the Civil War pensions for veterans and widows. Together the couple had eleven children.

George Davis died when Brown Davis' youngest child was still a toddler.

Career

After 1885, she often worked with her brother, Chief John F. Brown, as an interpreter, liaison and assistant for the Seminole Tribe. She gained a broad knowledge of tribal issues.

In her 40s after her husband's death, Brown Davis became the postmistress of Arbeka, while running the ranch and trading post. She became the superintendent of the Seminole Nation's girls' school, Emahaka. Built in 1892, Emahaka was a highly modern institution teaching grades one through ten.

In order to enable Oklahoma to become a state, the federal government had required the end of tribal governments in Indian Territory. The tribes were supposed to turn over all functions to officials of the Bureau of Indian Affairs. Protective of her school and believing that Indians should be in charge of teaching their children, Brown Davis initially refused to yield authority over the school. Her brother John F. Brown was still Chief of the Seminole and finally persuaded her she had to yield under the law.

Brown Davis belonged to the congregation of the Spring Baptist Church at Sasakwa, Oklahoma, where her brother John became the pastor. She performed missionary work in Florida and was active in Muscogee Creek, Seminole, and Wichita Baptist Associations.

Tribal governance

The Curtis Act dismantled tribal governmental and civic institutions. The Dawes Act broke up tribal landholdings, distributing allotments to individual households of registered tribal members. Land in excess of that was declared "surplus" by the federal government and sold to non-Indians. The 1906 Five Civilized Tribes Act finalized US federal government's dismemberment of tribal governments to make way for Oklahoma statehood in 1907.

During this tumultuous time, Brown Davis acted as an interpreter in court cases, as she was bilingual in English and Mikasuki. In 1903, she traveled to Mexico with a Seminole delegation to pursue possible land grant claims there. She returned in 1905 and 1910, but the outbreak of the Mexican Revolution destroyed Seminole hopes of settlement in Mexico.

In 1922, at the age of 70, Davis was appointed Principal Chief of the Seminole Nation by President Warren G. Harding. She was the first female chief of the Seminole tribe, and initially her appointment was controversial, despite her maternal clan's prominence. Eventually she won the support of her people and served until her death.

A key issue of her term was tribal land affairs. Based on a new survey of Seminole land in 1910, the US federal government reassigned some lands to the Muscogee Creek Nation, including the grounds of the Emakaha School and several Seminole churches. Brown Davis refused to sign the deeds over to the Creek and said, "If this be the cause of my resignation I will feel that I have done that which is right and just to myself and my people." Because of the long period of indecision about the land, the Emakaha School had to be emptied. It burned down and was not rebuilt.

Death and legacy

Alice Brown Davis served as chief until her death on June 21, 1935 in Wewoka, Oklahoma. In 1961, she was inducted into the recently founded National Hall of Fame for Famous Native Americans in Anadarko, Oklahoma and also the Oklahoma Hall of Fame. The University of Oklahoma named Davis Hall in her honor. At the 1964 World's Fair on Oklahoma Day, a bronze bust of her, sculpted by Willard Stone, was unveiled in Queens, New York.*





MANIK



I define in order to know
Measuring healing
I seal the store of accomplishment
With the self-existing tone of form
I am guided by the power of abundance
I am a galactic activation portal
Enter me.


To tune into the cosmic thinking layers the human must first identify these conditioned thought/forms through cultivation of a meditation practice.*


*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.



www.lawoftime.org
www.tzolkincosmology.com
www.13moon.com
www.mayanmajix.com




The Sacred Tzolk'in 





Anahata Chakra (Silio Plasma)