Monday, November 20, 2017

Red Crystal Dragon/ Red Electric Skywalker - Overtone Peacock Moon of Radiance, Day 6

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Chief Seattle

Martha George (April 28, 1892 – January 7, 1987) was repeatedly elected chairperson of the Suquamish tribe, serving from the late 1920s to the early 1940s. She was a descendant of Chief Seattle in present-day Washington state. She founded the Small Tribes Organization of Western Washington.
George was a famous basketweaver, who taught master weaver Peg Deam.
Deam recounted a story of when she was a little girl and asked George to take her to gather bark for a cedar dress. George laughed - winter is not the time for gathering - and took her in the spring.
Her collection of Salish baskets is displayed in the Suquamish Museum.


"They took what they needed and that’s all. There’s nothing wasted. That’s quite important among the Indians: that you should respect the earth."
—Martha George, in the video documentary Come Forth Laughing*


Kin 181: Red Crystal Dragon

I dedicate in order to nurture
Universalizing being
I seal the input of birth
With the crystal tone of cooperation
I am guided by the power of space.

Death is awakening to non-ego, and is characterized by light.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

 The Sacred Tzolk'in

Manipura Chakra (Limi Plasma)

Sunday, November 19, 2017

Yellow Spectral Sun/ Yellow Lunar Human - Overtone Peacock Moon of Radiance, Day 5

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Janet Campbell Hale

Janet Campbell Hale (born January 11, 1946, Riverside, California) is a Native American writer. Her father was a full-blood Coeur d'Alene, and her mother was of Kootenay, Cree and Irish descent.

In a sparse style that has been compared to Hemingway, Hale's work often explores issues of Native American identity and discusses poverty, abuse, and the condition of women in society. She wrote Bloodlines: Odyssey of a Native Daughter (1993), which includes a discussion of the Native American experience as well as stories from her own life. She also wrote The Owl's Song (1974), The Jailing of Cecilia Capture (which was nominated for the Pulitzer Prize in 1985), Women on the Run (1999), and Custer Lives in Humboldt County & Other Poems (1978).

Janet Campbell Hale has taught at Northwest Indian College, Iowa State University, College of Illinois, and University of California at Santa Cruz, and has served as resident writer at University of Oregon and University of Washington. Hale currently lives on the Coeur d'Alene Reservation in De Smet, Idaho.

Capture is a major theme in Janet Campbell Hale's writing. The name of the protagonist in the eponymous Jailing of Cecelia Capture is named for capture, but is also both literally and figuratively captured at different points in the narrative. Part of the dynamics of Bloodlines is to invert the white narratives about the capture of white people by Native Americans, into an account of capture of Native peoples by European-descended people. Escape and transformation of capture figure in several of her works.*



Kin 180: Yellow Spectral Sun

I dissolve in order to enlighten
Releasing life
I seal the matrix of universal fire
With the spectral tone of liberation
I am guided by my own power doubled
I am a polar kin
I transport the yellow galactic spectrum.

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

The Sacred Tzolk'in

Visshudha Chakra (Alpha Plasma)

Saturday, November 18, 2017

Blue Planetary Storm/ Blue Magnetic Monkey - Overtone Peacock Moon of Radiance, Day 4

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Janice Gould (born 1949) is a Koyangk'auwi (Konkow, Concow) Maidu writer and scholar. She is the author of Beneath My Heart, Earthquake Weather and co-editor with Dean Rader of Speak to Me Words: Essays on Contemporary American Indian Poetry. Her book Doubters and Dreamers (2011) was a finalist for the Colorado Book Award and the Binghamton University Milt Kessler Poetry Book Award.

Gould was born in San Diego, California and grew up in Berkeley. She graduated magna cum laude from University of California, Berkeley, earning degrees in linguistics (B.A) and English (M.A.). Her PhD. was completed at the University of New Mexico. She was the Hallie Ford Chair in Creative Writing at Willamette University. "In 2012 Janice completed a residency for Indigenous Writers at the School for Advanced Research in Santa Fe, New Mexico." She is also a musician, and plays guitar and accordion.

As of 2013, she is an Assistant Professor in Women’s and Ethnic Studies, and Native American Studies at the University of Colorado at Colorado Springs.

Awards and honors
  • Grant from National Endowment for the Arts
  • Ford Dissertation Fellowship
  • Astraea Foundation Grant
  • Roothbert Foundation Grant
  • Knowledge River Scholarship
  • Association of Research Libraries Scholarship*



Kin 179: Blue Planetary Storm

I perfect in order to catalyze
Producing energy
I seal the matrix of self-generation
With the planetary tone of manifestation
I am guided by the power of accomplishment.

Consistent discipline replaces old programs ; old programs are erased according to the intensity of your discipline.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

 The Sacred Tzolk'in

Svadhistana Chakra (Kali Plasma)

Friday, November 17, 2017

White Solar Mirror/ White Cosmic Dog - Overtone Peacock Moon of Radiance, Day 3

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Linda Lomahaftewa Print

Linda Lomahaftewa (born 1947) is a Hopi and Choctaw printmaker, painter, and educator living in Santa Fe, New Mexico.


Linda J. Lomahaftewa was born July 3, 1947 in Phoenix, Arizona Her parents had met at an Indian boarding school. Her late father was Hopi, her mother, who lives in Arizona, is Choctaw from Oklahoma. She and her family lived in Phoenix and Los Angeles, California.

She attended a strict mission boarding school in 1961 but transferred to Phoenix Indian School, then the Institute of American Indian Arts in Santa Fe, New Mexico in 1962, the year the school opened. Upon graduation from IAIA, Linda earned a scholarship to attend the San Francisco Art Institute in San Francisco, California, along with fellow artists, T.C. Cannon, Kevin Red Star, and Bill Prokopiof. Of the four, only Linda graduated from SFAI. After earning her Bachelor of Fine Arts degree, she went on to earn her Master of Fine Arts degrees at SFAI in 1971.


Dawn Reno writes of Linda's work that, "She unites the ancient Indian world with the contemporary in her modernistic paintings and has done a series of abstract landscapes which are considered the most powerful in her body of work." Of her own art, she writes that her "imagery comes from being Hopi and remembering shapes and colors from ceremonies and from landscape. I associate a special power and respect, a sacredness, with these colors and shapes, and this carries over into my work."

Although best known for her printmaking, Ribbon Shirt, her contribution to the major traveling exhibit, Indian Humor, is a typical contemporary ribbon shirt bedecked with an array of medals, buttons, and award ribbons from various Native American art shows.

Career and honors

She has participated in innumerable group and solo exhibits including those at the American Indian Contemporary Art gallery in San Francisco; the Heard Museum in Phoenix; the American Indian Community House in New York City; and the Wheelwright Museum of the American Indian in Santa Fe.

She was listed in the 8th Edition of the International Who's Who in 1984. Her work can be found in such public collections at the Heard Museum, Phoenix, Arizona; the Wheelwright Museum of the American Indian, Santa Fe, New Mexico; the Millicent Rogers Museum, Taos, New Mexico; the US Department of the Interior, Indian Arts and Crafts Board, Washington, DC; the Southern Plains Indian Museum, Anadarko, Oklahoma; the University of Lethbridge, Alberta, Canada; the Native American Center for the Living Arts, Niagara Falls, New York; and the Center for the Arts of Indian America, Washington, DC.

Linda began teaching at Sonoma State University and later at the University of California, Berkeley. In 1976, she accepting a position teaching two-dimensional studio arts at the Institute of American Indian Arts, where she still teaches today.

“I’m happy that I’m recognized as a Native woman artist,” she was quoted as saying. “And that I’m still doing work after all this time. A lot of people give up."


Linda has a son, Logan L. Slock, and a daughter, Tatiana Lomahaftewa Singer, who is a curator of contemporary Native arts. Her brother, the late Dan Lomahaftewa (1951–2005), was also a celebrated artist. Her first cousins, Roger and Marcus Amerman are internationally known Choctaw beadworkers.

Notable Exhibitions

2012: Low-Rez: Native American Lowbrow Art, Eggman and Walrus Art Emporium, Santa Fe, NM

Public Collections

Heard Museum
Museum of Contemporary Native Arts
Millicent Rogers Museum
Wheelwright Museum of the American Indian*


Kin 178: White Solar Mirror

I pulse in order to reflect
Realizing order
I seal the matrix of endlessness
With the solar tone of intention
I am guided by the power of timelessness.

To lead a universal life we must do our best to be absolutely positive, radiating love into our environment.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

 The Sacred Tzolk'in

Ajna Chakra (Gamma Plasma)

Thursday, November 16, 2017

Red Galactic Earth/ Red Crystal Moon - Overtone Peacock Moon of Radiance, Day 2

Fineline black-on-white olla by Lucy M. Lewis, ca. 1960–1970s,
 collection of the Fred Jones Jr. Museum of Art.

Lucy Martin Lewis (1890/8–March 12, 1992) was a Native American potter from Acoma Pueblo, New Mexico. She is known for her black-on-white decorative ceramics made using traditional techniques.


Lucy Martin Lewis was born in Sky City, a mesa in Acoma Pueblo, New Mexico to Lola Santiago and Martin Ortiz. Though she celebrated her birthday on November 2, her birth year, while unknown, was probably in the 1890s.

Lewis began making pottery at age eight, after studying with her great aunt, Helice Vallo. Both of her parents occasionally worked in the nearby town, Grants. Her early pottery was made for tourists. The ash-bowls were easily made and sold for five or ten cents.

In the late 1910s, Lewis married Toribio 'Haskaya' Luis. The family named was changed to Lewis when the oldest son, Ivan went into the marines during World War II. She had nine children, seven of whom went on to become potters.

Her work began to be recognized in 1950 when she won the a blue ribbon at the annual Gallup Intertribal Ceremonial. After the Gallup prize, Lewis began to sign her work, an act which created controversy within the Pueblo community.

Her work continued to gain recognition and her pieces now reside in many prominent museums including The National Museum of Women in the Arts, Cooper Hewitt, and the American Art Museum.


Lewis's pottery is made from a gray clay body and formed by hand using coils. After the pot is shaped and dried, a white slip is applied. Without the slip the mineral paints would run off the pot. Next the design is applied using mineral paints and a brush made from yucca holds more paint and makes finer lines than regular brushes bought at a store. Finally on a day when the weather is right for a firing, a small number of finished pieces are carefully pit-fired. Results are rarely 100%. Some pieces will end up cracked, the background on others will be gray rather than white (these will need to be refired), but a few will be wonderful. After going through this process one learns why these pieces should be well taken care of and carefully preserved. Lewis's pottery featured innovative designs and she has been compared to Pablo Picasso. Lewis was known for the animals, and line designs she drew on her pottery. Her work is influenced by the color of the sky, along with her Native American culture. Lewis was mostly self-taught and her art was natural and innate. Lewis specialized in small pots that were usually six to twelve inches in height. In 1992, the price range for her pottery was listed as between one hundred and several thousand dollars. Lewis' tribe, the Acomas, considered the clay she used for her pottery to be sacred. The creation of a single pot could take as long as two to three weeks. In 1983, Lucy Lewis was given New Mexico's Governor's Award for outstanding personal contribution to the art of the state. In 1977, she was invited to the White House. Her work is part of the permanent collection of the Smithsonian Institution. Her designs are inspired by Anasazi and Mogollon culture potsherds.

Lewis did not speak any English. Her final art show was the 1991 SWAIA Indian Market in Santa Fe, New Mexico.

Native American pottery making is passed down the matriarchal line, mothers, grandmothers, and aunts teach kin.

Notable collections

Her work is in the collections of the Smithsonian Institution and the National Museum of the American Indian, as well as the Fred Jones Jr. Museum of Art, Museum of North Orange County, Lowell D. Holmes Museum of Anthropology, National Museum of Women in the Arts, and others.


Lucy M. Lewis: American Indian Potter by Susan Harnly Peterson and Fred Kabotie
A Tribute to Lucy M. Lewis: Acoma Potter by John E. Collins and Dr. Frederick J. Dockstader*


Kin 177: Red Galactic Earth

I harmonize in order to evolve
Modeling synchronicity
I seal the matrix of navigation
With the galactic tone of integrity
I am guided by the power of birth.

There is much invisible activity on our behalf which goes on behind or beyond the third-dimensional screen.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

The Sacred Tzolk'in 

Muladhara Chakra (Seli Plasma)

Wednesday, November 15, 2017

Yellow Resonant Warrior/ Yellow Spectral Star - Overtone Peacock Moon of Radiance, Day 1

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Seed Jar by Helen Naha.

Helen Naha (1922–1993) was the matriarch in a family of well known Hopi potters.

She was the daughter-in-law of Paqua Naha (the first Frog Woman). Helen was married to Paqua’s son Archie. She was mostly self-taught, following the style of her mother-in-law and sister-in-law Joy Navasie (second Frog Woman). Her designs are often based on fragments found at the Awatovi ruins near Hopi. Her hallmark style was finely polished, hand-coiled pottery finished in white slip with black and red decorations. She would often take the extra step to polish the inside of a piece as well as the outside.

She signed her pottery with a feather glyph . This resulted in her being called “Feather Woman” by many collectors. Both of her daughters, Sylvia and Rainy (Rainell), as well as her granddaughter Tyra Naha are well known potters. Today, her medium to larger pots typically sell for several thousand dollars. She has been recognized by the Southwestern Association for Indian Arts for her body of work through the creation of the Helen Naha Memorial Award - For Excellence in Traditional Hopi Pottery.

Naha was a member of The Church of Jesus Christ of Latter-day Saints.*


Kin 176: Yellow Resonant Warrior

I channel in order to question
Inspiring fearlessness
I seal the output of intelligence
With the resonant tone of attunement
I am guided by the power of elegance
I am a galactic activation portal 
Enter me.

The law of karma-dharma can be altered, allowing the human the opportunity to replace negative lines of force with positive lines of force.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

The Sacred Tzolk'in 

Sahasrara Chakra (Dali Plasma)

Tuesday, November 14, 2017

Blue Rhythmic Eagle/ Blue Planetary Hand/ Self-Existing Owl Moon of Form, Day 28

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LeAnne Howe

LeAnne Howe (born April 29, 1951) is an American author and Eidson Distinguished Professor in the Department of English at the University of Georgia, Athens. An enrolled member of the Choctaw Nation of Oklahoma, Howe's work has been published in a variety of journals and anthologies. Her book Shell Shaker received the Before Columbus Foundation's American Book Award for 2002. Evidence of Red, a collection of poetry, Salt Publishing, UK 2005 won the Oklahoma Book Award in 2006. Her second novel, Miko Kings: An Indian Baseball Story was published in 2007 by Aunt Lute Books. Seeing Red: Pixeled Skins: American Indians and Film, Michigan State University Press 2013, an anthology of film essays on American Indians in movies is co-edited with Harvey Markowitz and Denise K. Cummings. Her latest book, a memoir titled Choctalking On Other Realities and was awarded the first the MLA Prize for Studies in Native American Literatures, Cultures, and Language in 2015.


Howe is an author, playwright, scholar, and poet. Born and educated in Oklahoma, she writes fiction, creative non-fiction, plays, poetry, and screenplays that primarily deal with American Indian experiences. She has read her fiction and has lectured in Japan, Jordan, Israel, Romania, and Spain. Founder and director of WagonBurner Theatre Troop, her plays have been produced in Los Angeles, New York City, New Mexico, Maine, Texas, and Colorado.

Howe is the screenwriter and on-camera narrator for the 90-minute PBS documentary Indian Country Diaries: Spiral of Fire. The documentary takes Howe to the North Carolina homelands of the Eastern Band of Cherokee Indians to discover how their fusion of tourism, community, and cultural preservation has contributed to the tribe's health in the 21st century.

She is also writer/co-producer of a new documentary project, Playing Pastime: American Indian Fast-Pitch Softball, and Survival, with three-time Emmy award-winning filmmaker, James Fortier. The story is about the southeastern tribes and Indians who have been playing baseball and fast-pitch softball since the 1880s in Indian Territory, now Oklahoma.

Howe's first novel, Shell Shaker (Aunt Lute Books, San Francisco), was also a finalist for the 2003 Oklahoma Book Award, and awarded Wordcraft Circle Writer of the Year, 2002, Creative Prose. Equinoxes Rouge, the French translation, was the 2004 finalist for Prix M├ędicis ├ętranger, one of France's top literary awards.

Though she is best known for her fiction, Howe is also an accomplished scholar. She has authored a book chapter on Choctaw history, contributed two important essays on her theory of "tribalography", and collaborated on literary criticism projects with Craig Howe (no relation), Harvey Markowitz, and Dean Rader. Howe has been a visiting professor at Carleton College, Grinnell College, Sinte Gleska University in Mission, South Dakota, on the Rosebud Sioux Reservation, Wake Forest University, North Carolina, and at the University of Cincinnati in the Women's Studies Department. In 2003 she was the Louis D. Rubin Jr. Writer-in-Residence at Hollins University, Roanoke, Virginia. In 2006-07 she was the John and Renee Grisham’s Writer-in-Residence, University of Mississippi, Oxford, MS. In May 2008, Howe was awarded a Poetry Fellowship at Soul Mountain Retreat, sponsored by former Connecticut poet Laureate Marilyn Nelson in East Haddam, Connecticut. In March 2010, Miko Kings: An Indian Baseball Story was the 2009-10 Read-in Selection for Hampton University, Hampton VA. Hampton University also held a mini-literary conference on Miko Kings. In March 2011, Howe was awarded the Tulsa Library Trust’s “American Indian Author Award” at the Central Library, Tulsa Oklahoma.

In 2010-2011, Howe was a J. William Fulbright Scholar in Amman, Jordan where she taught American Indian and American literatures at the University of Jordan, Amman. She was also researching a new novel set in both Transjordan, 1917 and in Allen, Oklahoma, 2011. Currently Howe is the Eidson Distinguished Professor in the Department of English at the University of Georgia, Athens. She is available for readings and lectures at colleges and universities.

Students who have worked with Howe have gone on to work for the Chicago Sun Times, and The New York Times. They are both native and non-natives who have published memoir, poetry, and creative non-fiction. Some former students are now working in professional theater companies, while others are teachers.

In 2012, Howe was the recipient of a United States Artists Fellow award.


Shell Shaker (Aunt Lute Books, San Francisco, 2001)
Evidence of Red (Salt Publishing, UK, 2005)
Miko Kings (2007, Aunt Lute Books)
Seeing Red, Pixeled Skins, American Indians and Film, Michigan State University Press, East Lancing, 2013
Choctalking on Other Realities (Aunt Lute Books, San Francisco, 2013)*


Kin 175: Blue Rhythmic Eagle

I organize in order to create
Balancing mind
I seal the output of vision
With the rhythmic tone of equality
I am guided by my own power doubled.

The fifth-dimensional higher self is always working to see if the third dimensional being will ever wake up.*

*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.

The Sacred Tzolk'in 

Anahata Chakra (Silio Plasma)