Saturday, October 27, 2018

White Lunar Wind/ Self-Existing Owl Moon of Form, Day 10






2 Ik

White Lunar Wind

From Mansions
On the Moon
A second Impulse falls

Emerging Grace
Holds Spirit’s Breath

Duality cloaks Reality
 Solid seeming – mostly Space

Where once was One
Now Two appear

 Time from Timelessness begins
Fractals split Infinity
Informing Form –

Inhale – Exhale
Male – Female
One from Two is born.


©Kleomichele Leeds


Anna Julia Cooper


Anna Julia Haywood Cooper (August 10, 1858 – February 27, 1964) was an American author, educator, sociologist, speaker, Black Liberation activist, and one of the most prominent African-American scholars in United States history. Upon receiving her PhD in history from the University of Paris-Sorbonne in 1924, Cooper became the fourth African-American woman to earn a doctoral degree. She was also a prominent member of Washington, D.C.'s African-American community and a member of Alpha Kappa Alpha sorority.

Childhood and education

Anna "Annie" Julia Cooper was born into enslavement in Raleigh, North Carolina, in 1858 to Hannah Stanley Haywood, an enslaved woman in the home of prominent Wake County landowner George Washington Haywood. Either George or his brother Fabius J. Haywood are thought to be Cooper's father. Cooper worked as a domestic servant in the Haywood home and had two older brothers, Andrew J. Haywood and Rufus Haywood. Andrew was a slave of Dr. Fabius J. Haywood, and he later served in the Spanish–American War. Rufus was also born a slave and was the leader of the music group Stanley's Band.

In 1868, when Cooper was nine years old, she received a scholarship and began her education at the newly opened Saint Augustine's Normal School and Collegiate Institute in Raleigh, founded by the local Episcopal diocese for the purpose of training teachers to educate former slaves and their families. The Reverend J. Brinton offered Cooper a scholarship to help pay for her expenses. According to Mark S. Giles, a Cooper biographer, "the educational levels offered at St. Augustine ranged from primary to high school, including trade-skill training." During her 14 years at St. Augustine's, she distinguished herself as a bright and ambitious student who showed equal promise in both liberal arts and analytical disciplines such as math and science; her subjects included languages (Latin, French, Greek), English literature, math, and science. Although the school had a special track reserved for women – dubbed the "Ladies' Course" – and the administration actively discouraged women from pursuing higher-level courses, Cooper fought for her right to take a course reserved for men, by demonstrating her scholastic ability. During this period, St. Augustine's pedagogical emphasis was on training young men for the ministry and preparing them for additional training at four-year universities. One of these men, George A. C. Cooper, would later become her husband. He died after only two years of marriage.

Cooper's academic excellence enabled her to work as a tutor for younger children, which also helped her pay for her educational expenses. After completing her studies, she remained at the institution as an instructor. In the 1883–84 school year she taught classics, modern history, higher English, and vocal and instrumental music; she is not listed as faculty in the 1884–85 year, but in the 1885–86 year she is listed as "Instructor in Classic, Rhetoric, Etc." Her husband's early death may have contributed to her ability to continue teaching; had she stayed married, she might have been encouraged or required to withdraw from the university to become a housewife.

After her husband's death, Cooper entered Oberlin College in Ohio, where she continued to follow the course of study designated for men. Her classmates were Ida Gibbs (later Hunt) and Mary Church Terrell. After teaching briefly at Wilberforce College, Cooper returned to St. Augustine's in 1885. She then went back to Oberlin and earned an M.A. in Mathematics in 1887.

She later moved to Washington, DC – where she would develop a close friendship with Charlotte Forten Grimké – Cooper began teaching at M Street High School, becoming principal in 1901.

Cooper made contributions to social science fields, particularly in sociology. She is sometimes called "the mother of Black Feminism."

A Voice from the South

During her years as a teacher and principal at M Street High School in Washington, D.C., Cooper completed her first book, A Voice from the South: By a Black Woman of the South, published in 1892, and also delivered many speeches calling for civil rights and women's rights. Perhaps her most well-known volume of writing, A Voice from the South is widely viewed as one of the first articulations of Black feminism. The book advanced a vision of self-determination through education and social uplift for African-American women. Its central thesis was that the educational, moral, and spiritual progress of black women would improve the general standing of the entire African-American community. She says that the violent natures of men often run counter to the goals of higher education, so it is important to foster more female intellectuals because they will bring more elegance to education. This view was criticized by some as submissive to the 19th-century cult of true womanhood, but others label it as one of the most important arguments for black feminism in the 19th century. Cooper advanced the view that it was the duty of educated and successful black women to support their underprivileged peers in achieving their goals. The essays in A Voice from the South also touched on a variety of topics, such as race and racism, gender, the socioeconomic realities of black families, and the administration of the Episcopal Church.

Later years

Cooper was an author, educator, and public speaker. In 1893, she delivered a paper entitled "The Intellectual Progress of the Colored Women of the United States since the Emancipation Proclamation" at the World's Congress of Representative Women in Chicago. Cooper was one of five African American women invited to speak at this event, along with: Fannie Barrier Williams, Sarah Jane Woodson Early, Hallie Quinn Brown, and Fanny Jackson Coppin.

She was also present at the first Pan-African Conference in London in 1900 and delivered a paper entitled "The Negro Problem in America."

A nation's greatness is not dependent upon the things it make and uses. Things without thoughts are mere vulgarities. America can boast her expanse of territory, her gilded domes, her paving stones of silver dollars; but the question of deepest moment in this nation today is its men and its women, the elevation at which it receives its "vision into the firmament of eternal truth."

In 1914, at the age of 56, Cooper began courses for her doctoral degree at Columbia University, but was forced to interrupt her studies in 1915 when she adopted her late half-brother's five children upon their mother's death. Later on she transferred her credits to the University of Paris-Sorbonne, which did not accept her Columbia thesis, an edition of Le Pèlerinage de Charlemagne. Over a decade she researched and composed her dissertation, completing her coursework in 1924. Cooper defended her thesis The Attitude of France on the Question of Slavery Between 1789 and 1848 in 1925. At 65, she became the fourth black woman in American history to earn a Doctorate of Philosophy degree.

Although the alumni magazine of her undergraduate alma mater, Oberlin College, praised her in 1924, saying, "The class of ’84 is honored in the achievement of this scholarly and colored alumna," when she tried to present her edition of Le Pèlerinage de Charlemagne to the college the next year, it was rejected.

Cooper's other writings include her autobiographical booklet The Third Step, about earning her doctorate from the Sorbonne, and a memoir about the Grimké family, entitled "The Early Years in Washington: Reminiscences of Life with the Grimkés," which appeared in Personal Recollections of the Grimké Family and the Life and Writings of Charlotte Forten Grimké (privately published in 1951).

On February 27, 1964, Cooper died in Washington, D.C., at the age of 105. Her memorial was held in a chapel on the campus of Saint Augustine's College, in Raleigh, NC where her academic career began. She was buried alongside her husband at the City Cemetery in Raleigh.

Legacy

Pages 24 and 25 of the 2016 United States passport contain the following quotation: "The cause of freedom is not the cause of a race or a sect, a party or a class – it is the cause of humankind, the very birthright of humanity." – Anna Julia Cooper

In 2009, the United States Postal Service released a commemorative stamp in Cooper's honor.

Also in 2009, a tuition-free private middle school was opened and named in her honor, the Anna Julia Cooper Episcopal School on historic Church Hill in Richmond, Virginia.

Cooper is honored with Elizabeth Evelyn Wright with a feast day on the liturgical calendar of the Episcopal Church (USA) on February 28.

The Anna Julia Cooper Center on Gender, Race, and Politics in the South at Wake Forest University was established in Anna Cooper's honor. Melissa Harris-Perry is the founding director.

Timeline
1858: Born into slavery in Raleigh, North Carolina.
1877: Marries George A. C. Cooper.
1879: Husband dies and Anna is widowed at 21 years of age.
1887: Begins teaching math and Latin at the Preparatory School.
1891: Participates in the weekly "Saturday Circle" or "Saturday Nighters" salon of Black Washingtonians.
1892: Founded the Colored Women's League with Helen Appo Cook.
1893: Co-hosts anti-lynching activist Ida B. Wells with Frederick Douglass and Lucy Ellen Moten 
1893: Becomes only woman elected to the American Negro Academy.
1893: Attends the World's Congress of Representative Women and reads paper entitled "The Intellectual Progress of the Colored Women of the United States since the Emancipation Proclamation"
1900: Attends the First Pan-African Conference in London, reads paper entitled "The Negro Problem in America", and joins the executive committee.
1901: Becomes second black female principal of M. Street High School.
1925: Earns doctorate from University of Paris, purchases home in LeDroit Park, begins hosting monthly "Les Amis de la Langue Francaise".
1929: Becomes second president of Frelinghuysen University in Washington, D.C.
1940: Becomes registrar of Frelinghuysen University and hosts classes in her LeDroit home.
1964: February 27, Anna J. Cooper dies in Washington D.C. at the age of 105*




IK



Kin 2: White Lunar Wind


I polarize in order to communicate
Stabilizing breath
I seal the input of spirit
With the lunar tone of challenge
I am guided by the power of timelessness.


A radiogram is a psycho-sensory message unit experienced as a "broadcast".*


*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2018-2019.






The Sacred Tzolk'in 




Ajna Chakra (Gamma Plasma)




Friday, October 26, 2018

Red Magnetic Dragon/ Self-Existing Owl Moon of Form, Day 9






1 Imix

Red Magnetic Dragon

Here beginsThe Count of Days
 Here beginThe Matrix and the Way
 Into Fields unified
Consciousness exalted
  Portals activated
Galaxies articulated
 Another Spin – A Universe revealed
 Another Birth –Sweet Earth healed.


©Kleomichele Leeds


Michelle Carla Cliff



 Michelle Carla Cliff (2 November 1946 – 12 June 2016) was a Jamaican-American author whose notable works included Abeng (1985), No Telephone to Heaven (1987), and Free Enterprise (2004).

Cliff also wrote short stories, prose poems and works of literary criticism. Her works explore the various, complex identity problems that stem from post-colonialism, as well as the difficulty of establishing an authentic, individual identity despite race and gender constructs. A historical revisionist, many of Cliff's works sought to advance an alternative view of history against the established mainstream narrative. Cliff was a lesbian who was born in British Jamaica.

Biography

Cliff was born in Kingston, Jamaica, in 1946 and moved with her family to New York City three years later. She moved back to Jamaica in 1956 and attended St. Andrew High School for Girls, where she kept a diary and began her writings before returning to New York City in 1960. She was educated at Wagner College and the Warburg Institute at the University of London. She has held academic positions at several colleges including Trinity College and Emory University.

Cliff was a contributor to the 1983 Black feminist anthology Home Girls.

Since 1999, Cliff was living in Santa Cruz, California, with her partner, poet Adrienne Rich. The two were partners from 1976; Rich died in 2012.

Cliff died of liver failure on 12 June 2016.

Works

Fiction

2010: Into the Interior. Novel. University of Minnesota Press
2009: Everything is Now: New and Collected Stories. Short stories. University Of Minnesota Press
2004: Free Enterprise: A Novel of Mary Ellen Pleasant. Novel, City Lights Publishers
1998: The Store of a Million Items (New York: Houghton Mifflin Company). Short stories
1993: Free Enterprise: A Novel of Mary Ellen Pleasant (New York: Dutton). Novel
1990: Bodies of Water (New York: Dutton). Short stories
1987: No Telephone to Heaven (New York: Dutton). Novel (sequel to Abeng)
1985: Abeng (New York: Penguin). Novel

Prose poetry

1985: The Land of Look Behind and Claiming (Firebrand Books).
1980: Claiming an Identity They Taught Me to Despise (Persephone Press).
Editor

1982: Lillian Smith, The Winner Names the Age: A Collection of Writings (New York: Norton).

Other

2008: If I Could Write This in Fire. Non-fiction collection. University of Minnesota Press
1982: "If I Could Write This in Fire I Would Write This in Fire", in Barbara Smith, ed., Home Girls: A Black Feminist Anthology (New York: Kitchen Table: Women of Color Press).
1994: "History as Fiction, Fiction as History", Ploughshares, Fall 1994; 20(2-3): 196-202.
1990: "Object into Subject: Some Thoughts on the Work of Black Women's Artists," in Gloria Anzaldúa, ed., Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Women of Color (San Francisco: Aunt Lute), pp. 271–290.

Feminism

In 1981, Cliff became an associate of the Women's Institute for Freedom of the Press*






IMIX



Kin 1: Red Magnetic Dragon


I unify in order to nurture
Attracting being
I seal the input of birth
With the magnetic tone of purpose
I am guided by my own power doubled
I am a galactic activation portal
Enter me.


Once you have been granted wholeness, you will never be anywhere else but where you have always been.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2018-2019.








The Sacred Tzolk'in 






Muladhara Chakra (Seli Plasma)





Thursday, October 25, 2018

Yellow Cosmic Sun/ Self-Existing Owl Moon of Form, Day 8






13 Ahau

Yellow Cosmic Sun


Now we come to the Sun –
The End of the Spin is done
One Tzolk’in complete we traveled –
Traversed each Factor, Fractal, Kin
To cover every Cycle held therein –
13 Ahau – Cosmic Sun
The Endurance of Enlightenment
The Presence of Universal Fire
Transmuting Light into Evolution –

We are the Cusp – the Hinge
Bringing in the Sixth Sun –
We become Etheric Beings –
Leaving our Obsession
With Sex, Fear, Money –
Moving up the Sacred Chakras
Into Anahata – the Heart of Compassion –
Else all is Waste – All is Lost
The Choice is ours…
Whether to identify
With Soul or Body
Whether to Live –
Whether to Die.

©Kleomichele Leeds





Staceyann Chin


Staceyann Chin (born December 25, 1972) is a spoken-word poet, performing artist and LGBT rights political activist. Her work has been published in The New York Times, The Washington Post, and the Pittsburgh Daily, and has been featured on 60 Minutes. She was also featured on The Oprah Winfrey Show, where she shared her struggles growing up as a gay person in Jamaica.

Personal life

Chin was born in Jamaica but now lives in New York City, in Brooklyn. She is of Chinese-Jamaican and Afro-Jamaican descent. She announced in 2011 that she was pregnant with her first child, giving birth to her daughter Zuri in January 2012. She has been candid about her pregnancy by means of in-vitro fertilization, and wrote about her experiences as a pregnant, single lesbian in a guest blog for the Huffington Post.

Career

Openly lesbian, she has been an "out poet and political activist" since 1998. In addition to performing in and co-writing the Tony-nominated Russell Simmons Def Poetry Jam on Broadway, Chin has appeared in Off-Broadway one-woman shows and at the Nuyorican Poets Cafe. She has also held poetry workshops worldwide. Chin credits her accomplishments to her hard-working grandmother and the pain of her mother's absence.

Chin's poetry can be found in her first chapbook, Wildcat Woman, the one she now carries on her back, Stories Surrounding My Coming, and numerous anthologies, including Skyscrapers, Taxis and Tampons, Poetry Slam, Role Call, Cultural Studies: Critical Methodologies. Chin's voice can be heard on CD compilations out of Bar 13- Union Square and Pow Wow productions. In 2009, Chin published her autobiographical novel, The Other Side of Paradise: A Memoir.

She is a host on Logo's After Ellen Internet show, "She Said What?" and a co-host of Centric's My Two Cents.

In 2009, Chin performed in The People Speak, a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States.

She currently teaches a seminar at the arts-oriented Saint Ann's School in Brooklyn.

Critical analysis

Chin's "activist driven" work has garnered praise in various publications. Of her one-woman show Border/Clash, The New York Times wrote that Chin "is sassy, rage-ful and sometimes softly self-mocking." The Advocate wrote, "With poems that combine hilarious one-liners ("I told her I liked the way she made that pink push-up bra look intellectual") with a refusal to conform ("I want to be the dyke who likes to fuck men"), Chin is out to confront more than just the straight world." And in the book, Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam, author Cristin O'Keefe Aptowicz referred to Chin as "definitely the prize to win" among the three New York City Poetry Slam venues during the years she competed, adding:

To watch Chin perform is to watch the very essence of poetry manifested: her performances are imperfect, volatile and beautiful. Chin's poetry is passionate and well-written, sure; but it's her ability to communicate that passion in performance that is unparalleled. She becomes the poetry.

Awards

Chin was the winner of the 1999 Chicago People of Color Slam; first runner- up in the 1999 Outright Poetry Slam; winner of the 1998 Lambda Poetry Slam; a finalist in the 1999 Nuyorican Grand Slam; winner of the 1998 and 2000 Slam This!; and winner of WORD: The First Slam for Television. She has also been featured by Public-access television cable TV programs in Brooklyn and Manhattan as well as many local radio stations including, WHCR and WBAI. The Joseph Pap Public Theater has featured her on more than one occasion, and Staceyann has toured internationally, with performances in London, Denmark, Germany, South Africa and New York's own Central Park Summer Stage. In 2015, she was named by Equality Forum as one of their 31 Icons of the 2015 LGBT History Month.

Works

Books

Chin, Staceyann (April 2009). The Other Side of Paradise - A Memoir. New York: Scribner. ISBN 0-7432-9290-1.

Anthologies

"Authenticity", in Black Cool: One Thousand Streams of Blackness. Edited by Rebecca Walker (Soft Skull Press, February 1, 2012)

Performances

Staceyann Chin: Performed Poems in Trikster - Nordic Queer Journal #3, 2009.
Interviews
Staceyann Chin & Ulrika Dahl: Articulating Honesty: A Conversation on Literature and Activism in Trikster - Nordic Queer Journal #3, 2009*




AHAU



Kin 260: Yellow Cosmic Sun



I endure in order to enlighten
Transcending life
I seal the matrix of universal fire
With the cosmic tone of presence
I am guided by the power of flowering
I am a galactic activation portal
Enter me.


Within the space of pure meditation there arises intrinsic awareness, intrinsic wakefulness of the original mind.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2018-2019.







 The Sacred Tzolk'in





Sahasrara Chakra (Dali Plasma)




Wednesday, October 24, 2018

Blue Crystal Storm/ Self-Existing Owl Moon of Form, Day 7






12 Cauac 


Blue Crystal Storm 

Above the thunderous Roar
Above the harsh Downpour
Beyond the darkening  Wall
Which so solid seems

A New World shines
The Storm recedes
Revelation intervenes
Amid History’s Vicissitudes

Lift us from Despair
Into Consciousness and Clarity -
 Compassion’s rarefied Air –
As the human Heart ascends

Out of Materialism
In order that the new Human
Becomes divinely Cosmic
And purely Telepathic.

©Kleomichele Leeds



Tracy Chapman




Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits "Fast Car" and "Give Me One Reason", along with other singles "Talkin' 'bout a Revolution", "Baby Can I Hold You", "Crossroads", "New Beginning", and "Telling Stories". She is a multi-platinum and four-time Grammy Award–winning artist.

Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album garnered Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single "Fast Car", and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single "Give Me One Reason". Chapman's most recent release is Our Bright Future, in 2008.

Early life

Chapman was born in Cleveland, Ohio. She was raised by her mother, who recognized her love of music and, despite not having much money, bought her daughter a ukulele when she was just three years old. Chapman began playing the guitar and writing songs at the age of eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw.

Raised as a Baptist, Chapman attended an Episcopal high school and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home community. She graduated from Wooster School in Connecticut, then attended Tufts University,graduating with a B.A. degree in Anthropology and African studies.

Career

During college, Chapman began busking in Harvard Square and playing guitar in Club Passim, the Nameless Coffeehouse, and other coffeehouses in Cambridge, Massachusetts. She made her major-stage debut as an opening act for women's music pioneer Linda Tillery at Boston's Strand Theater on May 3, 1985. Another Tufts student, Brian Koppelman, heard Chapman playing and brought her to the attention of his father, Charles Koppelman. Koppelman, who ran SBK Publishing, signed Chapman in 1986. After Chapman graduated from Tufts in 1987, he helped her to sign a contract with Elektra Records.

At Elektra, she released Tracy Chapman (1988). The album was critically acclaimed, and she began touring and building a fanbase. "Fast Car" began its rise on the US charts soon after she performed it at the televised Nelson Mandela 70th Birthday Tribute concert in June 1988; it became a number 6 pop hit on the Billboard Hot 100 for the week ending August 27, 1988. Rolling Stone ranked the song number 167 on their 2010 list of "The 500 Greatest Songs of All Time". It is the highest-ranking song both written and performed by a female performer. "Talkin' 'bout a Revolution", the follow-up, charted at number 75 and was followed by "Baby Can I Hold You", which peaked at number 48. The album sold well, going multi-platinum and winning three Grammy Awards, including an honor for Chapman as Best New Artist. Later in 1988, Chapman was a featured performer on the worldwide Amnesty International Human Rights Now! Tour. According to the VH1 website, "Her album helped usher in the era of political correctness—along with 10,000 Maniacs and R.E.M., Chapman's liberal politics proved enormously influential on American college campuses in the late '80s."

Her follow-up album Crossroads (1989) was less commercially successful, but still achieved platinum status. By 1992's Matters of the Heart, Chapman was playing to a small and devoted audience. Her fourth album New Beginning (1995) proved successful, selling over three million copies in the U.S. The album included the hit single "Give Me One Reason", which won the 1997 Grammy for Best Rock Song and became Chapman's most successful single to date, peaking at Number 3 on the Billboard Hot 100. Following a four-year hiatus, her fifth album, Telling Stories, was released in 2000. Its hit single, "Telling Stories", received heavy airplay on European radio stations and on Adult Alternative and Hot AC stations in the United States. Chapman toured Europe and the US in 2003 in support of her sixth album, Let It Rain (2002).

To support her seventh studio album, Where You Live (2005), Chapman toured major US cities in October and throughout Europe over the remainder of the year. The "Where You Live" tour was extended into 2006; the 28-date European tour featured summer concerts in Germany, Italy, France, Sweden, Finland, Norway, the UK, Russia and more. On June 5, 2006, she performed at the 5th Gala of Jazz in Lincoln Center, New York, and in a session at the 2007 TED (Technology Entertainment Design) conference in Monterey, California.

Chapman was commissioned by the American Conservatory Theater to compose music for its production of Athol Fugard's Blood Knot, a play on apartheid in South Africa, staged in early 2008.

Atlantic Records released Chapman's eighth studio album, Our Bright Future (2008). Chapman made a 26-date solo tour of Europe. She returned to tour Europe and selected North American cities during the summer of 2009. She was backed by Joe Gore on guitars, Patrick Warren on keyboards, and Dawn Richardson on percussion.

Chapman was appointed a member of the 2014 Sundance Film Festival U.S. Documentary jury.

Chapman performed Ben E. King's "Stand By Me" on one of the final episodes of the Late Show with David Letterman in April 2015. The performance became a viral hit and was the focus of various news articles including some by Billboard and The Huffington Post.

On November 20, 2015, Chapman released her Greatest Hits album. Consisting of 18 tracks including the live version of "Stand By Me", the album is Chapman's first global compilation release.

Social activism

Chapman is a politically and socially active musician. In a 2009 interview with American radio network NPR, she said, "I'm approached by lots of organizations and lots of people who want me to support their various charitable efforts in some way. And I look at those requests and I basically try to do what I can. And I have certain interests of my own, generally an interest in human rights." She has performed at numerous socially aware events, and continues to do so. In 1988, she performed in London as part of a worldwide concert tour to commemorate the 40th anniversary of the Universal Declaration of Human Rights with Amnesty International. The same year Chapman also performed in the Nelson Mandela 70th Birthday Tribute, an event which raised money for South Africa's Anti-Apartheid Movement and seven children's charities. In 2004, Chapman performed (and rode) in the AIDS/LifeCycle event.

Chapman has also been involved with Cleveland's elementary schools. A music video produced by Chapman that highlights significant achievements in African-American history has become an important teaching tool in Cleveland Public Schools. Chapman also agreed to sponsor a "Crossroads in Black History" essay contest for high school students in Cleveland and other cities.

Chapman received an honorary doctorate from Saint Xavier University in Chicago in 1997. In 2004, Chapman was given an honorary doctorate in Fine Arts by her alma mater, Tufts University, recognizing her commitment to social activism.

I'm fortunate that I've been able to do my work and be involved in certain organizations, certain endeavors, and offered some assistance in some way. Whether that is about raising money or helping to raise awareness, just being another body to show some force and conviction for a particular idea. Finding out where the need is – and if someone thinks you're going to be helpful, then helping.

Chapman often performs at and attends charity events such as Make Poverty History, amfAR, and AIDS/LifeCycle, to support social causes. She identifies as a feminist.

Personal life

Although Chapman has never publicly disclosed her sexual orientation, during the mid-1990's she was in a relationship with writer Alice Walker. Chapman maintains a strong separation between her personal and professional life. "I have a public life that's my work life and I have my personal life," she said. "In some ways, the decision to keep the two things separate relates to the work I do."

In October 2018, Chapman sued the rapper Nicki Minaj over copyright infringement, alleging that Minaj had sampled her song "Baby Can I Hold You" without permission. Chapman's lawsuit requested an injunction to prevent Minaj releasing the song "Sorry" and stated that she had "repeatedly denied" permission for "Baby Can I Hold You" to be sampled. Chapman had previously expressed her reservations about being sampled.

Discography

1988: Tracy Chapman
1989: Crossroads
1992: Matters of the Heart
1995: New Beginning
2000: Telling Stories
2002: Let It Rain
2005: Where You Live
2008: Our Bright Future

Duet songs:

1997: "The Thrill Is Gone" with B.B. King from his album Deuces Wild
1999: "Give Me One Reason" with Eric Clapton from the album A Very Special Christmas Live
1999: "Trench Town Rock" with Stephen and Ziggy Marley at the One Love The Bob Marley All-Star Tribute
2000: "Baby Can I Hold You" with Luciano Pavarotti from the DVD/Album Pavarotti and Friends for Cambodia and Tibet
2001: "The Maker" with Dave Matthews on October 21, 2001 at the Bridge School Benefit
2005: "Ain't No Sunshine" with Buddy Guy from his album Bring 'Em In

Covered songs:

1990: "The House of the Rising Sun" – Rubáiyát (LP)
1993: "The Times They Are A Changin" – Bob Dylan 30th Anniversary Celebration (LP)
1997 and 1999: "O Holy Night" – A Very Special Christmas 3 (LP) and A Very Special Christmas Live (LP)
2000: "Three Little Birds" – Live at the One Love The Bob Marley All-Star Tribute
2003: "Get Up Stand Up" – by Bob Marley featured on the Let It Rain tour edition (CD2 & LP)
2005: "Stand By Me" – by Ben E. King on the XM Hear Music Radio Sessions Volume 1 (LP)

Awards and nominations

Year Ceremony Award Nominated Work Result
1988 Billboard Music Awards Best Female Video "Fast Car" Won
1989 Soul Train Music Awards Best R&B/Urban Contemporary Album of the Year, Female Tracy Chapman Nominated
Danish Music Awards Best International Album Won
BRIT Awards Best International Breakthrough Act Herself Won
Best International Solo Female Won
MTV Video Music Awards Best Female Video "Fast Car" Nominated
American Music Awards Favorite Pop Rock New Artist Herself Won
Favorite Pop/Rock Female Artist Nominated
1993 ECHO Awards Best International Female Nominated
1996 MTV Video Music Awards Best Female Video "Give Me One Reason" Nominated
2001 California Music Awards Outstanding Female Vocalist Herself Nominated
2002 IFPI Platinum Europe Music Awards Album Title Collection Won
2006 Meteor Ireland Music Awards Best International Female Herself Nominated
2009 SXSWi: Web Awards Honor Pop Music Herself Nominated

Grammy Awards

Year Nominee/work Award Result
1989 N/A Best New Artist Won
Tracy Chapman Album of the Year Nominated
Best Contemporary Folk Album Won
"Fast Car" Song of the Year Nominated
Record of the Year Nominated
Best Female Pop Vocal Performance Won
1990 Crossroads Best Contemporary Folk Album Nominated
1997 New Beginning Best Pop Album Nominated
"Give Me One Reason" Song of the Year Nominated
Record of the Year Nominated
Best Female Rock Vocal Performance Nominated
Best Rock Song Won
2010 Our Bright Future Best Contemporary Folk Album Nominated*




CAUAC



Kin 259: Blue Crystal Storm


I dedicate in order to catalyze
Universalizing energy
I seal the matrix of self-generation
With the crystal tone of cooperation
I am guided by the power of magic.


The term or interval of the human in the whole of the cosmic cycle is equivalent to the mystic 33rd octave that hinges the wheel of Becoming to the wheel of Return.*



*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2018-2019.









The Sacred Tzolk'in 





Anahata Chakra (Silio Plasma)