10 Muluc
Red Planetary Moon
Learn the Language
Of the Moon –
A new Word daily
For Love and Beauty
A day-keeper’s Time
Marked as Poetry –
Nature’s Tongue murmured
In Rhythm and Rhyme
Galaxies sail
The ethereal Brine
Ships of colored Light
In Sacred Design
My Classroom
An ever-darkening Sky
Full with Intimations of Infinity –
Blessed Fruit
With silver Blossoms rife
Hung on the Cosmic Tree of Life.
©Kleomichele Leeds
Basketmaking, c. 1940, by Pablita Velarde
Pablita Velarde (September 19, 1918 – January 12, 2006) born Tse Tsan (Tewa, "Golden Dawn") was an American painter.
Early life
Velarde was born on Santa Clara Pueblo near Española, New Mexico. After the death of her mother when Pablita was about five years old, she and two of her sisters were sent to St Catherine's Indian School in Santa Fe. At the age of fourteen, she was accepted at Dorothy Dunn's Santa Fe Studio Art School at the Santa Fe Indian School. There, she became an accomplished painter in the Dunn style, known as "flat painting".
Art career
Her early paintings were exclusively watercolors, but later in life she learned how to prepare paints from natural pigments (a process similar to, but not the same as fresco secco). She used these paints to produce what she called "earth paintings". She obtained the pigments from minerals and rocks, which she ground on a metate and mano until the result was a powdery substance from which she made her paints.
In 1939, Velarde was commissioned by the National Park Service under a grant from the Works Progress Administration (WPA) to depict scenes of traditional Pueblo life for visitors to the Bandelier National Monument.
Following her work at Bandelier, Velarde went on to become one of the most accomplished Native American painters of her generation, with solo exhibitions throughout the United States, including her native New Mexico, as well as Florida and California. In 1953, she was the first woman to receive the Grand Purchase Award at the Philbrook Museum of Art’s Annual Exhibition of Contemporary Indian Painting. In 1954 the French government honored her with the Palmes Académiques for excellence in art. In 1960 she published a book of stories and paintings, Old Father, the Storyteller.
In a 1979 interview she said, "Painting was not considered women's work in my time. A woman was supposed to be just a woman, like a housewife and a mother and chief cook. Those were things I wasn't interested in."
Velarde's work is exhibited in public and private collections including the Bandelier National Monument museum, the Museum of Indian Arts and Culture, the Avery Collection at the Arizona State Museum, the Ruth and Charles Elkus Collection of Native American Art, and in the Smithsonian National Museum of Natural History.
Personal life
In 1942, Pablita married Herbert Hardin, a graduate of the University of California, whom she had known for some time. Her daughter, Helen Hardin, and her granddaughter Margarete Bagshaw became prominent artists in their own right.
Awards and honors
Palmes Académiques, 1954
New Mexico Governor's Award, 1977[4]
1990 Lifetime Achievement Award - national Women's Caucus for Art [5]
Santa Fe Living Treasure*
MULUC
Kin 49: Red Planetary Moon
I perfect in order to purify
Producing flow
I seal the process of universal water
With the planetary tone of manifestation
I am guided by the power of navigation.
The experience of cosmic consciousness must coexist with an attitude of compassion and selfless service extended over the entire universe for the liberation and uplifting of all sentient beings.*
*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.
The Sacred Tzolk'in
Anahata Chakra (Silio Plasma)
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