Nampeyo, two birds design. Late pot, probably painted by Fannie circa 1920s. Woolaroc collection.
Fannie Nampeyo (1900–1987) (also known as Fannie Lesou Polacca and Fannie Nampeyo Polacca) was a modern and contemporary fine arts potter, who carried on the traditions of her famous mother, Nampeyo of Hano, the grand matriarch of modern Hopi pottery.
Biography
Early life
Fannie Nampeyo Polacca was the youngest of Nampeyo of Hano's three daughters. She was born in the Hopi-Tewa Corn Clan home atop First Mesa, on the Hopi Reservation in Arizona. Fannie was initially given the name Popongua or Popong-Mana (meaning "Picking Piñons") by the older women of her father Lesou's family, and either missionaries or health-care workers later gave her the name "Fannie."
The highest level of education Fannie Nampeyo completed was third grade. In the early 1920's she married her cousin, Vinton Polacca, going against tradition of marrying outside the Corn Clan. Shortly thereafter pottery making became an important part of Fannie’s life. The couple moved to Sand Hills where Vinton worked a cattle ranch. There she began taking pottery seriously. From 1934-1937 they lived and worked as ranchers but, left ranching so Vinton could work in government schools. The couple took their family to Keams Canyon, where all their children eventually completed high school. While in Keams Canyon, Polacca had a profitable tamale business. During this time, Fannie Nampeyo increasingly worked with her mother Nampeyo, whose eyesight was diminishing due to trachoma. Fannie helped her mother with pottery painting and decorating, and also assisted her father with polishing. Early works created by Fannie and her mother were signed simply "Nampeyo" by Fannie, since Nampeyo could not read or write, but later they began signing pieces made together as "Nampeyo Fannie". Pieces made solely by Fannie were signed "Fannie Nampeyo" and usually included a drawn corn symbol.
Pottery
Fannie was a prolific potter from 1920–1987 and earned a reputation as an outstanding potter during her lifetime. Her styles included black and red on yellow and black on yellow in the form of jars, cups and saucers. She also made miniatures and bird effigy bowls. Among her favorite designs were clouds, rain, feathers, stars and migrations motifs. In addition to making pottery she also made quilts.
Fannie's pottery won a first place blue ribbon in the "Hopi Show" at the Museum of Northern Arizona in July 1961, and her works have been included in collections by the University of Oklahoma's Fred Jones Jr. Museum of Art and The Cleveland Museum of Art.
Later years
Nampeyo became matriarch of the Hopi-Tewa Corn Clan, as her mother Nampeyo had been before her. "Nampeyo" is actually the ceremonial title used by the matriarch of the Hopi-Tewa Corn Clan. Fannie and her husband Vinton were among the first families at First Mesa to join The Church of Jesus Christ of Latter-day Saints. All seven of Fannie’s children (Thomas Polacca, Elva Nampeyo, Tonita, Iris Youvella, Leah, Harold and Elsworth) excelled at pottery making, which they learned from their mother, and several have become known in their own right among collectors of Native American pottery. Fannie Nampeyo Polacca died in 1987.*
CAUAC
Kin 239: Blue Overtone Storm
I empower in order to catalyze
Commanding energy
I seal the matrix of self-generation
With the overtone tone of radiance
I am guided by the power of accomplishment
I am a galactic activation portal
Enter me.
Facing inward, the direction of the multidimensional universe, we can gain direct experience of frequencies and beams of telepathic transmissions. Regular meditation cultivates clear seeing so that we enter more deeply into our fourth-dimensional body of destiny and beyond to the Fifth-dimensional electrical rainbow body.*
*Star Traveler's 13 Moon Almanac of Synchronicity, Galactic Research Institute, Law of Time Press, Ashland, Oregon, 2017-2018.
The Sacred Tzolkin
Anahata Chakra (Silio Plasma)
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